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Carrie Bradshaw is, of course, quite a divisive character. Our early love for her slowly calcified as she continued to make irritatingly human mistakes: cheating on Aiden, re-sleeping with Big once he’s married, that bird in her hair when she got jilted at the Up high down low too slow vintage shirt in addition I really love this altar. But she is the vestige of a bygone era, a New York with two towers and genuine attention spans and phones you had to un-flip, long before chopped salads and our mutual slavery to the like button. Carrie’s New York was a tinder of restaurant launches and gallery openings and one-night-stands with a medley of men.
And though I will not be drawn into whether she could ever afford her clothes or apartment, she always served us a look. In my mind, the Up high down low too slow vintage shirt in addition I really love this best season fashion-wise is the first, and though Carrie keeps pausing to fourth-wall us, her initial wardrobe feels more capsule, less costume (by the series finale in Paris, she’s a baguette short of a Marie Antoinette tribute act). I’m warmed by the idea of new-Carrie in head-to-toe The Row: Bridget Jones re-drawn by the Olsens, smoking Marlboros at a climate-changing volume.
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